Simon (Nagarjuna) runs an illegal international operation through the Visakhapatnam port, with his loyal lieutenant Dayal (Soubin Shahir) controlling the entire facility. When scientist Rajasekhar (Sathyaraj) is murdered after being recruited by Simon, his friend Deva (Rajinikanth) steps in to protect Rajasekhar's three daughters, including Preethi (Shruti Haasan), while uncovering the truth behind the killing.
Rajinikanth anchors the film with his trademark charisma, delivering stylish action sequences, witty one-liners, and emotional depth. His screen presence remains magnetic, particularly in mass appeal moments that showcase his enduring star power. The character of Deva allows the superstar to flex his acting muscles across comedy, action, and drama. Soubin Shahir emerges as the film's surprise element, especially in the second half where his character Dayal transforms dramatically. His portrayal balances desperation, vengeance, and aggression effectively, creating one of the more compelling arcs in the story. Nagarjuna makes for a stylish antagonist, bringing menace to his role as Simon, particularly during the memorable "I Am the Danger" sequence.
Shruti Haasan maintains the emotional core of the narrative, while Sathyaraj delivers a solid performance as the doomed scientist. However, Upendra's second-half appearance feels underutilized, and only supporting players Rakshita Ram and Kanna Ravi make meaningful impressions. Aamir Khan's special appearance, while visually striking, creates disappointment, despite significant buildup.
Technically, the film excels in several areas. Cinematographer Girish Gangadharan captures stunning visuals, particularly in the harbor sequences and night scenes that give the film a distinct visual identity. Philomin Raj's editing complements the cinematography well.
Anirudh Ravichander's soundtrack features standout tracks like "Chikitu" and "Monica," while his background score, including themes like "Power House" and "Coolie Disco," elevates the action sequences. The film's use of de-aging technology for Rajinikanth and Sathyaraj in flashback sequences creates an impressive visual experience that enhances the backstory elements.
However, Coolie suffers from significant pacing and narrative issues. The screenplay tends to telegraph its twists too obviously, with many reveals feeling predictable rather than surprising. The film stretches certain plot points unnecessarily, and the second half, while more straightforward, lacks the momentum needed to sustain interest. Despite having multiple antagonists, the story fails to create genuine challenges for the protagonist, making Deva's journey feel too easy.
The most disappointing aspect is the disconnect between the film's scientific subplot and the main revenge narrative. The need for the scientific project machine feel contrived, and several plot holes emerge in the final act that undermine the story's logic.
While Coolie showcases Rajinikanth's enduring screen magnetism and benefits from strong technical craft, it ultimately feels like a missed opportunity. Despite entertaining moments and solid performances, the film needed tighter writing and more innovative storytelling to truly shine. It's an adequate showcase for its lead star but falls short of being the powerhouse collaboration fans expected.